J. P. - Number 30 - BIRDS OF PARADISE - 1949 - Canvas Print
![Affiliate Icon](/Affiliate.jpg)
![J. P. - Number 30 - BIRDS OF PARADISE - 1949 - Canvas Print J P _ Number 30 _ BIRDS OF PARADISE _ 1949 _ Canvas Print](https://rlv.zcache.com/j_p_number_30_birds_of_paradise_1949_canvas_print-r0e635df809dd4a62ab0cfcc81cb626c2_vgel3e_fpuod_500.jpg)
![Affiliate icon](/Affiliate.jpg)
-----------------------------------------------------------------------------------J. P. (American,1912-1956) - Number 30 BIRDS OF PARADISE (1949) - Action painting - Abstractionism - Oil, Enamel and Aluminum Paint on Paper mounted on Board - 𝑯𝒊-𝑹𝒆𝒔 𝑫𝒊𝒈𝒊𝒕𝒂𝒍𝒍𝒚 𝑹𝒆𝒎𝒂𝒔𝒕𝒆𝒓𝒆𝒅 𝑽𝒆𝒓𝒔𝒊𝒐𝒏 -------------------𝑱. 𝑷., 𝒂 𝒑𝒊𝒐𝒏𝒆𝒆𝒓 𝒐𝒇 𝒂𝒃𝒔𝒕𝒓𝒂𝒄𝒕 𝒆𝒙𝒑𝒓𝒆𝒔𝒔𝒊𝒐𝒏𝒊𝒔𝒎, 𝒘𝒂𝒔 𝒂𝒏 𝑨𝒎𝒆𝒓𝒊𝒄𝒂𝒏 𝒑𝒂𝒊𝒏𝒕𝒆𝒓 𝒃𝒐𝒓𝒏 𝒊𝒏 𝟏𝟗𝟏𝟐 𝒂𝒏𝒅 𝒃𝒆𝒄𝒂𝒎𝒆 𝒓𝒆𝒏𝒐𝒘𝒏𝒆𝒅 𝒇𝒐𝒓 𝒂 𝒈𝒓𝒐𝒖𝒏𝒅𝒃𝒓𝒆𝒂𝒌𝒊𝒏𝒈 𝒂𝒑𝒑𝒓𝒐𝒂𝒄𝒉 𝒕𝒐 𝒂𝒓𝒕. 𝑯𝒆 𝒘𝒂𝒔 𝒌𝒏𝒐𝒘𝒏 𝒇𝒐𝒓 𝒕𝒉𝒆 "𝒅𝒓𝒊𝒑𝒑𝒊𝒏𝒈" 𝒐𝒓 "𝒂𝒄𝒕𝒊𝒐𝒏 𝒑𝒂𝒊𝒏𝒕𝒊𝒏𝒈" 𝒕𝒆𝒄𝒉𝒏𝒊𝒒𝒖𝒆, 𝒂 𝒓𝒆𝒗𝒐𝒍𝒖𝒕𝒊𝒐𝒏𝒂𝒓𝒚 𝒑𝒓𝒐𝒄𝒆𝒔𝒔 𝒕𝒉𝒂𝒕 𝒊𝒏𝒗𝒐𝒍𝒗𝒆𝒅 𝒄𝒓𝒆𝒂𝒕𝒊𝒏𝒈 𝒂𝒓𝒕𝒘𝒐𝒓𝒌𝒔 𝒃𝒚 𝒑𝒐𝒖𝒓𝒊𝒏𝒈 𝒂𝒏𝒅 𝒔𝒑𝒍𝒂𝒕𝒕𝒆𝒓𝒊𝒏𝒈 𝒑𝒂𝒊𝒏𝒕 𝒅𝒊𝒓𝒆𝒄𝒕𝒍𝒚 𝒐𝒏𝒕𝒐 𝒕𝒉𝒆 𝒄𝒂𝒏𝒗𝒂𝒔. 𝑵𝒖𝒎𝒃𝒆𝒓 𝟑𝟎 𝑩𝑰𝑹𝑫𝑺 𝑶𝑭 𝑷𝑨𝑹𝑨𝑫𝑰𝑺𝑬 (𝟏𝟗𝟒𝟗) 𝒊𝒔 𝒂𝒏 𝒊𝒄𝒐𝒏𝒊𝒄 𝒘𝒐𝒓𝒌 𝒃𝒚 𝑱. 𝑷. 𝒆𝒙𝒆𝒄𝒖𝒕𝒆𝒅 𝒖𝒔𝒊𝒏𝒈 𝒕𝒉𝒊𝒔 𝒅𝒊𝒔𝒕𝒊𝒏𝒄𝒕𝒊𝒗𝒆 𝒕𝒆𝒄𝒉𝒏𝒊𝒒𝒖𝒆. 𝑻𝒉𝒊𝒔 𝒎𝒂𝒔𝒕𝒆𝒓𝒑𝒊𝒆𝒄𝒆 𝒘𝒂𝒔 𝒂 𝒄𝒐𝒍𝒍𝒂𝒈𝒆 𝒐𝒇 𝒄𝒐𝒍𝒐𝒓𝒔 𝒔𝒑𝒍𝒂𝒕𝒕𝒆𝒓𝒆𝒅 𝒐𝒏 𝒂 𝒄𝒂𝒏𝒗𝒂𝒔 𝒕𝒉𝒂𝒕 𝒄𝒓𝒆𝒂𝒕𝒆𝒅 𝒎𝒂𝒔𝒕𝒆𝒓𝒇𝒖𝒍 𝒔𝒉𝒂𝒑𝒆𝒔 𝒂𝒏𝒅 𝒍𝒊𝒏𝒆𝒔 𝒕𝒉𝒂𝒕 𝒆𝒗𝒐𝒌𝒆 𝒆𝒎𝒐𝒕𝒊𝒐𝒏𝒔 𝒂𝒏𝒅 𝒂𝒕𝒕𝒂𝒄𝒌 𝒕𝒉𝒆 𝒆𝒚𝒆. 𝑻𝒉𝒆 𝒑𝒂𝒊𝒏𝒕𝒊𝒏𝒈 𝒘𝒂𝒔 𝒄𝒓𝒆𝒂𝒕𝒆𝒅 𝒊𝒏 𝟏𝟗𝟒𝟗, 𝒂𝒏𝒅 𝒊𝒔 𝒂𝒏 𝒐𝒊𝒍, 𝒆𝒏𝒂𝒎𝒆𝒍 𝒂𝒏𝒅 𝒂𝒍𝒖𝒎𝒊𝒏𝒖𝒎 𝒑𝒂𝒊𝒏𝒕 𝒐𝒏 𝒑𝒂𝒑𝒆𝒓 𝒎𝒐𝒖𝒏𝒕𝒆𝒅 𝒐𝒏 𝒃𝒐𝒂𝒓𝒅. 𝑯𝒆 𝒐𝒇𝒕𝒆𝒏 𝒘𝒐𝒓𝒌𝒆𝒅 𝒐𝒏 𝒄𝒂𝒏𝒗𝒂𝒔𝒆𝒔 𝒍𝒂𝒊𝒅 𝒐𝒏 𝒕𝒉𝒆 𝒇𝒍𝒐𝒐𝒓 𝒊𝒏 𝒉𝒊𝒔 𝒔𝒕𝒖𝒅𝒊𝒐, 𝒄𝒓𝒆𝒂𝒕𝒊𝒏𝒈 𝒂 𝒅𝒚𝒏𝒂𝒎𝒊𝒄 𝒊𝒏𝒕𝒆𝒓𝒑𝒍𝒂𝒚 𝒃𝒆𝒕𝒘𝒆𝒆𝒏 𝒉𝒊𝒎𝒔𝒆𝒍𝒇 𝒂𝒏𝒅 𝒕𝒉𝒆 𝒄𝒂𝒏𝒗𝒂𝒔. 𝑴𝒂𝒔𝒕𝒆𝒓𝒚 𝒐𝒇 𝒄𝒐𝒍𝒐𝒓 𝒂𝒏𝒅 𝒎𝒐𝒗𝒆𝒎𝒆𝒏𝒕 𝒊𝒎𝒃𝒖𝒆𝒅 𝒕𝒉𝒆 𝒘𝒐𝒓𝒌𝒔 𝒘𝒊𝒕𝒉 𝒂 𝒔𝒆𝒏𝒔𝒆 𝒐𝒇 𝒆𝒏𝒆𝒓𝒈𝒚 𝒂𝒏𝒅 𝒔𝒑𝒐𝒏𝒕𝒂𝒏𝒆𝒊𝒕𝒚 𝒕𝒉𝒂𝒕 𝒘𝒂𝒔 𝒕𝒓𝒖𝒍𝒚 𝒖𝒏𝒊𝒒𝒖𝒆. 𝑱. 𝑷., 𝒂𝒍𝒔𝒐 𝒌𝒏𝒐𝒘𝒏 𝒂𝒔 "𝑱𝒂𝒄𝒌 𝒕𝒉𝒆 𝑫𝒓𝒊𝒑𝒑𝒆𝒓," 𝒑𝒓𝒐𝒇𝒐𝒖𝒏𝒅𝒍𝒚 𝒊𝒏𝒇𝒍𝒖𝒆𝒏𝒄𝒆𝒅 𝒕𝒉𝒆 𝒂𝒓𝒕 𝒘𝒐𝒓𝒍𝒅 𝒂𝒔 𝒂𝒏 𝑨𝒎𝒆𝒓𝒊𝒄𝒂𝒏 𝒑𝒂𝒊𝒏𝒕𝒆𝒓 𝒘𝒊𝒕𝒉 𝒂 𝒃𝒐𝒍𝒅 𝒂𝒏𝒅 𝒓𝒆𝒗𝒐𝒍𝒖𝒕𝒊𝒐𝒏𝒂𝒓𝒚 𝒂𝒑𝒑𝒓𝒐𝒂𝒄𝒉 𝒕𝒐 𝒑𝒂𝒊𝒏𝒕𝒊𝒏𝒈. 𝑪𝒐𝒏𝒕𝒓𝒊𝒃𝒖𝒕𝒊𝒐𝒏𝒔 𝒆𝒙𝒕𝒆𝒏𝒅𝒆𝒅 𝒃𝒆𝒚𝒐𝒏𝒅 𝒕𝒉𝒆 𝒗𝒊𝒔𝒖𝒂𝒍 𝒂𝒔𝒑𝒆𝒄𝒕, 𝒓𝒆𝒑𝒓𝒆𝒔𝒆𝒏𝒕𝒊𝒏𝒈 𝒂 𝒄𝒐𝒏𝒏𝒆𝒄𝒕𝒊𝒐𝒏 𝒃𝒆𝒕𝒘𝒆𝒆𝒏 𝒕𝒉𝒆 𝒂𝒓𝒕𝒊𝒔𝒕 𝒂𝒏𝒅 𝒕𝒉𝒆 𝒂𝒓𝒕𝒘𝒐𝒓𝒌, 𝒉𝒊𝒈𝒉𝒍𝒊𝒈𝒉𝒕𝒊𝒏𝒈 𝒕𝒉𝒆 𝒄𝒓𝒆𝒂𝒕𝒊𝒗𝒆 𝒑𝒓𝒐𝒄𝒆𝒔𝒔 𝒊𝒕𝒔𝒆𝒍𝒇. 𝑵𝒖𝒎𝒃𝒆𝒓 𝟑𝟎 𝑩𝑰𝑹𝑫𝑺 𝑶𝑭 𝑷𝑨𝑹𝑨𝑫𝑰𝑺𝑬 (𝟏𝟗𝟒𝟗) 𝒔𝒕𝒂𝒏𝒅𝒔 𝒂𝒔 𝒂𝒏 𝒆𝒙𝒕𝒓𝒂𝒐𝒓𝒅𝒊𝒏𝒂𝒓𝒚 𝒆𝒙𝒂𝒎𝒑𝒍𝒆 𝒐𝒇 𝒉𝒐𝒘 𝒕𝒓𝒂𝒏𝒔𝒇𝒐𝒓𝒎𝒆𝒅 𝒕𝒉𝒆 𝒆𝒏𝒗𝒊𝒓𝒐𝒏𝒎𝒆𝒏𝒕 𝒂𝒏𝒅 𝒕𝒉𝒆 𝒂𝒄𝒕 𝒐𝒇 𝒑𝒂𝒊𝒏𝒕𝒊𝒏𝒈 𝒊𝒏𝒕𝒐 𝒈𝒓𝒐𝒖𝒏𝒅𝒃𝒓𝒆𝒂𝒌𝒊𝒏𝒈 𝒂𝒓𝒕𝒘𝒐𝒓𝒌𝒔, 𝒍𝒆𝒂𝒗𝒊𝒏𝒈 𝒂𝒏 𝒊𝒏𝒅𝒆𝒍𝒊𝒃𝒍𝒆 𝒎𝒂𝒓𝒌 𝒐𝒏 𝒕𝒉𝒆 𝒉𝒊𝒔𝒕𝒐𝒓𝒚 𝒐𝒇 𝒎𝒐𝒅𝒆𝒓𝒏 𝒂𝒓𝒕.