J. P. - PAINTING A - 1950 - Abstract Expressionism Canvas Print
-----------------------------------------------------------------------------------J. P. (American, 1912-1956) - PAINTING A - 1950 - Action painting - Drip period - Abstract Expressionism, Abstraction - Enamel and Oil on Masonite - 𝑯𝒊-𝑹𝒆𝒔 𝑫𝒊𝒈𝒊𝒕𝒂𝒍𝒍𝒚 𝑹𝒆𝒎𝒂𝒔𝒕𝒆𝒓𝒆𝒅 𝑽𝒆𝒓𝒔𝒊𝒐𝒏 ---------------------------------"𝑷𝑨𝑰𝑵𝑻𝑰𝑵𝑮 𝑨," 𝒄𝒓𝒆𝒂𝒕𝒆𝒅 𝒊𝒏 𝟏𝟗𝟓𝟎 𝒅𝒖𝒓𝒊𝒏𝒈 𝑱. 𝑷.'𝒔 𝑨𝒄𝒕𝒊𝒐𝒏 𝒑𝒂𝒊𝒏𝒕𝒊𝒏𝒈 𝒑𝒉𝒂𝒔𝒆, 𝒓𝒆𝒑𝒓𝒆𝒔𝒆𝒏𝒕𝒔 𝒂 𝒑𝒊𝒗𝒐𝒕𝒂𝒍 𝒎𝒐𝒎𝒆𝒏𝒕 𝒊𝒏 𝒕𝒉𝒆 𝒂𝒓𝒕𝒊𝒔𝒕'𝒔 𝒋𝒐𝒖𝒓𝒏𝒆𝒚 𝒘𝒊𝒕𝒉𝒊𝒏 𝒕𝒉𝒆 𝑨𝒃𝒔𝒕𝒓𝒂𝒄𝒕 𝑬𝒙𝒑𝒓𝒆𝒔𝒔𝒊𝒐𝒏𝒊𝒔𝒕 𝒎𝒐𝒗𝒆𝒎𝒆𝒏𝒕. 𝑻𝒉𝒊𝒔 𝒂𝒓𝒕𝒘𝒐𝒓𝒌, 𝒆𝒙𝒆𝒄𝒖𝒕𝒆𝒅 𝒐𝒏 𝑴𝒂𝒔𝒐𝒏𝒊𝒕𝒆 𝒘𝒊𝒕𝒉 𝒆𝒏𝒂𝒎𝒆𝒍 𝒂𝒏𝒅 𝒐𝒊𝒍, 𝒆𝒏𝒄𝒂𝒑𝒔𝒖𝒍𝒂𝒕𝒆𝒔 𝒕𝒉𝒆 𝒆𝒔𝒔𝒆𝒏𝒄𝒆 𝒐𝒇 𝑱. 𝑷.'𝒔 𝒆𝒙𝒑𝒍𝒐𝒓𝒂𝒕𝒊𝒐𝒏 𝒐𝒇 𝑨𝒄𝒕𝒊𝒐𝒏 𝒑𝒂𝒊𝒏𝒕𝒊𝒏𝒈 𝒅𝒖𝒓𝒊𝒏𝒈 𝒕𝒉𝒆 𝑫𝒓𝒊𝒑 𝒑𝒆𝒓𝒊𝒐𝒅. 𝑰𝒏 𝒕𝒉𝒊𝒔 𝒑𝒊𝒆𝒄𝒆, 𝑱. 𝑷. 𝒅𝒆𝒍𝒗𝒆𝒔 𝒊𝒏𝒕𝒐 𝒕𝒉𝒆 𝒓𝒆𝒂𝒍𝒎 𝒐𝒇 𝒂𝒃𝒔𝒕𝒓𝒂𝒄𝒕𝒊𝒐𝒏, 𝒆𝒎𝒃𝒓𝒂𝒄𝒊𝒏𝒈 𝒕𝒉𝒆 𝒔𝒑𝒐𝒏𝒕𝒂𝒏𝒆𝒐𝒖𝒔 𝒂𝒏𝒅 𝒈𝒆𝒔𝒕𝒖𝒓𝒂𝒍 𝒒𝒖𝒂𝒍𝒊𝒕𝒊𝒆𝒔 𝒕𝒉𝒂𝒕 𝒅𝒆𝒇𝒊𝒏𝒆 𝑨𝒄𝒕𝒊𝒐𝒏 𝒑𝒂𝒊𝒏𝒕𝒊𝒏𝒈. 𝑻𝒉𝒆 𝒄𝒂𝒏𝒗𝒂𝒔 𝒃𝒆𝒄𝒐𝒎𝒆𝒔 𝒂 𝒅𝒚𝒏𝒂𝒎𝒊𝒄 𝒂𝒓𝒆𝒏𝒂 𝒘𝒉𝒆𝒓𝒆 𝒕𝒉𝒆 𝒂𝒓𝒕𝒊𝒔𝒕 𝒆𝒎𝒑𝒍𝒐𝒚𝒔 𝒖𝒏𝒄𝒐𝒏𝒗𝒆𝒏𝒕𝒊𝒐𝒏𝒂𝒍 𝒕𝒆𝒄𝒉𝒏𝒊𝒒𝒖𝒆𝒔, 𝒔𝒖𝒄𝒉 𝒂𝒔 𝒅𝒓𝒊𝒑𝒑𝒊𝒏𝒈 𝒂𝒏𝒅 𝒑𝒐𝒖𝒓𝒊𝒏𝒈 𝒆𝒏𝒂𝒎𝒆𝒍 𝒂𝒏𝒅 𝒐𝒊𝒍 𝒐𝒏𝒕𝒐 𝒕𝒉𝒆 𝑴𝒂𝒔𝒐𝒏𝒊𝒕𝒆 𝒔𝒖𝒓𝒇𝒂𝒄𝒆. 𝑻𝒉𝒆𝒔𝒆 𝒖𝒏𝒐𝒓𝒕𝒉𝒐𝒅𝒐𝒙 𝒎𝒆𝒕𝒉𝒐𝒅𝒔 𝒄𝒐𝒏𝒕𝒓𝒊𝒃𝒖𝒕𝒆 𝒕𝒐 𝒕𝒉𝒆 𝒄𝒓𝒆𝒂𝒕𝒊𝒐𝒏 𝒐𝒇 𝒂 𝒕𝒆𝒙𝒕𝒖𝒓𝒆𝒅 𝒂𝒏𝒅 𝒍𝒂𝒚𝒆𝒓𝒆𝒅 𝒄𝒐𝒎𝒑𝒐𝒔𝒊𝒕𝒊𝒐𝒏. 𝑻𝒉𝒆 𝒕𝒊𝒕𝒍𝒆 "𝑷𝑨𝑰𝑵𝑻𝑰𝑵𝑮 𝑨" 𝒔𝒖𝒈𝒈𝒆𝒔𝒕𝒔 𝒂 𝒅𝒆𝒍𝒊𝒃𝒆𝒓𝒂𝒕𝒆 𝒎𝒐𝒗𝒆 𝒂𝒘𝒂𝒚 𝒇𝒓𝒐𝒎 𝒄𝒐𝒏𝒗𝒆𝒏𝒕𝒊𝒐𝒏𝒂𝒍 𝒕𝒊𝒕𝒍𝒆𝒔, 𝒆𝒎𝒑𝒉𝒂𝒔𝒊𝒛𝒊𝒏𝒈 𝒕𝒉𝒆 𝒇𝒐𝒄𝒖𝒔 𝒐𝒏 𝒕𝒉𝒆 𝒂𝒄𝒕 𝒐𝒇 𝒑𝒂𝒊𝒏𝒕𝒊𝒏𝒈 𝒊𝒕𝒔𝒆𝒍𝒇. 𝑻𝒉𝒊𝒔 𝒓𝒆𝒔𝒐𝒏𝒂𝒕𝒆𝒔 𝒘𝒊𝒕𝒉 𝒕𝒉𝒆 𝒆𝒕𝒉𝒐𝒔 𝒐𝒇 𝑨𝒄𝒕𝒊𝒐𝒏 𝒑𝒂𝒊𝒏𝒕𝒊𝒏𝒈, 𝒘𝒉𝒆𝒓𝒆 𝒕𝒉𝒆 𝒑𝒓𝒐𝒄𝒆𝒔𝒔 𝒐𝒇 𝒄𝒓𝒆𝒂𝒕𝒊𝒐𝒏 𝒂𝒏𝒅 𝒕𝒉𝒆 𝒑𝒉𝒚𝒔𝒊𝒄𝒂𝒍 𝒆𝒏𝒈𝒂𝒈𝒆𝒎𝒆𝒏𝒕 𝒘𝒊𝒕𝒉 𝒕𝒉𝒆 𝒄𝒂𝒏𝒗𝒂𝒔 𝒕𝒂𝒌𝒆 𝒑𝒓𝒆𝒄𝒆𝒅𝒆𝒏𝒄𝒆 𝒐𝒗𝒆𝒓 𝒓𝒆𝒑𝒓𝒆𝒔𝒆𝒏𝒕𝒂𝒕𝒊𝒐𝒏𝒂𝒍 𝒄𝒐𝒏𝒄𝒆𝒓𝒏𝒔. 𝑻𝒉𝒆 𝒚𝒆𝒂𝒓 𝟏𝟗𝟓𝟎 𝒑𝒍𝒂𝒄𝒆𝒔 𝒕𝒉𝒊𝒔 𝒂𝒓𝒕𝒘𝒐𝒓𝒌 𝒘𝒊𝒕𝒉𝒊𝒏 𝒂 𝒄𝒓𝒖𝒄𝒊𝒂𝒍 𝒑𝒆𝒓𝒊𝒐𝒅 𝒐𝒇 𝑱. 𝑷.'𝒔 𝒄𝒂𝒓𝒆𝒆𝒓, 𝒎𝒂𝒓𝒌𝒆𝒅 𝒃𝒚 𝒂 𝒉𝒆𝒊𝒈𝒉𝒕𝒆𝒏𝒆𝒅 𝒆𝒎𝒑𝒉𝒂𝒔𝒊𝒔 𝒐𝒏 𝒆𝒙𝒑𝒆𝒓𝒊𝒎𝒆𝒏𝒕𝒂𝒕𝒊𝒐𝒏 𝒂𝒏𝒅 𝒂 𝒅𝒆𝒑𝒂𝒓𝒕𝒖𝒓𝒆 𝒇𝒓𝒐𝒎 𝒕𝒓𝒂𝒅𝒊𝒕𝒊𝒐𝒏𝒂𝒍 𝒇𝒐𝒓𝒎𝒔. 𝑻𝒉𝒆 𝒖𝒔𝒆 𝒐𝒇 𝑴𝒂𝒔𝒐𝒏𝒊𝒕𝒆 𝒂𝒔 𝒂 𝒔𝒖𝒑𝒑𝒐𝒓𝒕 𝒎𝒂𝒕𝒆𝒓𝒊𝒂𝒍 𝒖𝒏𝒅𝒆𝒓𝒔𝒄𝒐𝒓𝒆𝒔 𝒕𝒉𝒆 𝒂𝒓𝒕𝒊𝒔𝒕'𝒔 𝒘𝒊𝒍𝒍𝒊𝒏𝒈𝒏𝒆𝒔𝒔 𝒕𝒐 𝒆𝒙𝒑𝒍𝒐𝒓𝒆 𝒂𝒍𝒕𝒆𝒓𝒏𝒂𝒕𝒊𝒗𝒆 𝒔𝒖𝒓𝒇𝒂𝒄𝒆𝒔 𝒂𝒏𝒅 𝒎𝒂𝒕𝒆𝒓𝒊𝒂𝒍𝒔, 𝒂 𝒄𝒉𝒂𝒓𝒂𝒄𝒕𝒆𝒓𝒊𝒔𝒕𝒊𝒄 𝒕𝒓𝒂𝒊𝒕 𝒐𝒇 𝒕𝒉𝒆 𝑨𝒃𝒔𝒕𝒓𝒂𝒄𝒕 𝑬𝒙𝒑𝒓𝒆𝒔𝒔𝒊𝒐𝒏𝒊𝒔𝒕 𝒎𝒐𝒗𝒆𝒎𝒆𝒏𝒕. "𝑷𝑨𝑰𝑵𝑻𝑰𝑵𝑮 𝑨" 𝒔𝒆𝒓𝒗𝒆𝒔 𝒂𝒔 𝒂 𝒗𝒊𝒔𝒖𝒂𝒍 𝒕𝒆𝒔𝒕𝒂𝒎𝒆𝒏𝒕 𝒕𝒐 𝑱. 𝑷.'𝒔 𝒄𝒐𝒎𝒎𝒊𝒕𝒎𝒆𝒏𝒕 𝒕𝒐 𝒑𝒖𝒔𝒉𝒊𝒏𝒈 𝒕𝒉𝒆 𝒃𝒐𝒖𝒏𝒅𝒂𝒓𝒊𝒆𝒔 𝒐𝒇 𝒂𝒓𝒕𝒊𝒔𝒕𝒊𝒄 𝒆𝒙𝒑𝒓𝒆𝒔𝒔𝒊𝒐𝒏. 𝑻𝒉𝒆 𝒇𝒖𝒔𝒊𝒐𝒏 𝒐𝒇 𝒆𝒏𝒂𝒎𝒆𝒍 𝒂𝒏𝒅 𝒐𝒊𝒍 𝒐𝒏 𝑴𝒂𝒔𝒐𝒏𝒊𝒕𝒆 𝒄𝒓𝒆𝒂𝒕𝒆𝒔 𝒂 𝒅𝒚𝒏𝒂𝒎𝒊𝒄 𝒊𝒏𝒕𝒆𝒓𝒑𝒍𝒂𝒚 𝒐𝒇 𝒕𝒆𝒙𝒕𝒖𝒓𝒆𝒔, 𝒄𝒐𝒍𝒐𝒓𝒔, 𝒂𝒏𝒅 𝒇𝒐𝒓𝒎𝒔, 𝒊𝒏𝒗𝒊𝒕𝒊𝒏𝒈 𝒗𝒊𝒆𝒘𝒆𝒓𝒔 𝒕𝒐 𝒆𝒏𝒈𝒂𝒈𝒆 𝒘𝒊𝒕𝒉 𝒕𝒉𝒆 𝒂𝒓𝒕𝒘𝒐𝒓𝒌 𝒐𝒏 𝒂 𝒗𝒊𝒔𝒄𝒆𝒓𝒂𝒍 𝒍𝒆𝒗𝒆𝒍. 𝑨𝒔 𝒘𝒊𝒕𝒉 𝒎𝒂𝒏𝒚 𝒘𝒐𝒓𝒌𝒔 𝒇𝒓𝒐𝒎 𝒕𝒉𝒊𝒔 𝒑𝒆𝒓𝒊𝒐𝒅, 𝒕𝒉𝒆 𝒑𝒂𝒊𝒏𝒕𝒊𝒏𝒈 𝒓𝒆𝒇𝒍𝒆𝒄𝒕𝒔 𝒕𝒉𝒆 𝒔𝒑𝒐𝒏𝒕𝒂𝒏𝒆𝒐𝒖𝒔 𝒂𝒏𝒅 𝒖𝒏𝒓𝒆𝒔𝒕𝒓𝒂𝒊𝒏𝒆𝒅 𝒆𝒏𝒆𝒓𝒈𝒚 𝒕𝒉𝒂𝒕 𝒃𝒆𝒄𝒂𝒎𝒆 𝒔𝒚𝒏𝒐𝒏𝒚𝒎𝒐𝒖𝒔 𝒘𝒊𝒕𝒉 𝑱. 𝑷.'𝒔 𝒑𝒊𝒐𝒏𝒆𝒆𝒓𝒊𝒏𝒈 𝒂𝒑𝒑𝒓𝒐𝒂𝒄𝒉 𝒕𝒐 𝑨𝒃𝒔𝒕𝒓𝒂𝒄𝒕 𝑬𝒙𝒑𝒓𝒆𝒔𝒔𝒊𝒐𝒏𝒊𝒔𝒎.
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